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Menschen Art spezifischen selbst klinischen erwahnen homo sapiens-man sinnvoll-fur den Grund die psychische Fahigkeiten extrem wichtig unsere typische Leben und unsere ein Gefuhl personliche. Die Branche von kunstlichen Lernfahigkeit oder AI, versucht erfassen helle Organisationen.

Location One is grateful for the generous support from the following organizations and institutions: Sponsors: The Abernathy MacGregor Group The a-i-r laboratory, Centre for Contemporary Art, Ujazdowski Castle (Poland) The Arts Council / An Chomhairle Ealaíon (Ireland) The Asian Cultural Council The Australia Council for the Arts Milton and Sally Avery Arts Foundation The Brown […]

LOCATION ONE IN THE PRESS Press inquiries contact Steve Cukierski +1 212-334-3347 : press@location1.org “Location One, a singularly engaging, idealistic and enchanting SoHo space any art lover must experience, no matter the exhibition”–Anne Swartz, NY ARTS, January/February 2006 on Douglas Repetto’s Slowscan Soundwave (III) CURRENT EXHIBITION:   PREVIOUS EXHIBITION HIGHLIGHTS: Davide Balliano: Giving My Back […]

The nine million and twenty second dorkbot-nyc meeting took place on Thursday, December 8th at 7pm. It featured the lovely and talented: Newton Armstrong, Eyebeam OpenLab, Zach Layton.

Fifteen years after making a brief splash as an ill-fated downtown supergroup in the avant jazz and experimental music scene, Odd Job (Shelley Hirsch, Ned Rothenberg, David Weinstein and Samm Bennett along with new member bassplayer Stomu Takeishi) gave a one night reunion concert at Location One on Friday, January 21st , 2005.

Two internationally renowned artists -- Trisha Brown, the most widely acclaimed choreographer to emerge from the postmodern era, and Dave Douglas, a widely acclaimed composer and trumpeter who has developed new music which finds itself outside the traditional language of jazz -- will craft an improvisational work for the second evening of the festival.

In 1940, Hedy Lamarr, the “most beautiful woman in the world” and composer George Antheil, the “bad boy of music” met at a Hollywood dinner party. Two years later, they received a patent for an invention now recognized as the model for wireless communication.