Location One and Quinndustry present
Icons And Relics
Monday, February 4, 2013
Two shows: 8pm and 8:30pm

Location One and Quinndustry present Icons And Relics, a prelude to Fashion Week in the form of a theatrical fashion adventure spotlighting the 2013 Fall/Winter collection of renowned designer David Quinn. Here fashion, theater, and dance are intertwined by Quinn’s nimble wit to form a multidisciplinary work of PerformanceFashionArt.

[Show as slideshow]

Mysterious women in smoking jackets gaze at you languidly while dancers create tableaux vivants in an opulent Edwardian parlor. Inspired by knights’ armor, byzantine icons, and the gender ambiguities of the La Garçonne style of the 1920s, this dreamscape is carried along by choreography influenced by processionals and pagan festival dances. Quinn will bring together models and some of downtown New York’s most talented dancers and brightest stars of burlesque and performance art to bring this vision to life.

Icons and Relics is directed by David Quinn, with choreography by Luke Miller and Ede Thurrell, dramaturgy by Kate Valentine, sound design by Shaun Hettinger (Memoryymusic.com), and lighting design by Keith Truax.

Two shows: Monday, February 4 at 8pm and 8:30pm. Admission is free. Seating is limited.
Location One – 26 Greene Street (between Grand and Canal Streets).
More information at: location1.org.

About David Quinn: David Quinn is equally adept at designing for dance, theater, circus, TV, film, and the red carpet. His work in costuming and fashion has received critical acclaim in numerous publications across the country. In New York, he has been featured in the New York Times Style section several times (twice photographed by the legendary Bill Cunningham), The Village Voice, WWD, Dance View Times, Dance Magazine, Ballet Review, Bust, Next, New York Magazine, Soap Opera in Depth, and Time Out New York, among others.

Quinn has also designed for numerous dance companies in New York and across the country. He designed the costumes for the Martha Graham Company’s new work Chasing, which premiered at Lincoln Center in 2011, and has also designed for the Merce Cunningham Dance Company, Mark Morris Dance Group, Doug Varone and Dancers, Glen Rumsey, Stanley Love Performance Group, as well as burlesque performers Kate Valentine, Dirty Martini, Julie Atlas Muz, and the World Famous Bob, among many other artists.

Quinn designed the circus Desir in conjunction with the jeweler Boucheron on its 150th anniversary. His designs have appeared on television shows such as The Young and the Restless and the Daytime Emmys. Quinn is featured as himself in the documentaries Dirty Martini and the New Burlesque and Haute Child in the City. He designed the costumes for the feature-length film, Celluloid #1, and designed performance costumes featured in the movie Tournée, the directorial debut from Mathieu Amalric.

Quinn’s made-to-order gowns have been on red carpets at the Tony Awards, the Cesar Awards, the Emmy Awards, and the Cannes Film Festival, as well as countless opening nights and premieres. From his studio, Quinn has built costumes for many of Broadway’s biggest designers for many of its biggest shows. His work has been in Grey Gardens, Spring Awakening, 16 Wounded, Beauty and the Beast, Young Frankenstein, Billy Elliot, The Wedding Singer, Frost/Nixon, and Cirque du Soleil, among many others.

Quinn also conceives, costumes, and directs performance art happenings combining fashion, dance, and music. ArtForum called Quinn’s Scenes From a Ladies Room “a stunning spectacle.” Along with his many varied projects, Quinn is currently working on translating his made-to-order gowns and clothing into more accessible ready-to-wear. Quinn is also very honored to be the resident costume designer for the LaGuardia Arts High School’s drama department.

Media contact: Janet Stapleton – 212-633-0016 / jstapleton@att.net
Digital images are available on request.

You are invited to a benefit to celebrate Location One on Friday, October 21!

With performances by some of the most exciting artists in New York—Plus Open Bar, Music, Dancing, Private VIP Performances!

About the Artists

Yanira Castro Yanira Castro is a Bessie-Award-Winning director/choreographer based in Brooklyn who collaborates with performers and designers on individual projects under the name: a canary torsi. Her site-adaptable multi-disciplinary performance works have been presented nationally and internationally in a variety of venues from public bathrooms and a confessional to the stage. www.acanarytorsi.org

Andrea Yugoslavia Chirinos Project: Hallways, Shadows, Outside, Inside, Evening. Choreography: andrea yugoslavia chirinos dancers, Edie Nightcrawler, Marisol Cal y mayor, andrea yugoslavia Chirinos This project comes from my desire to bring my body closer to the viewer, to give my body another meaning, one outside of the world of dance. It also comes from a desire to fragment the perception of my body in movement, which here I will accomplish through the medium of instant photographs, a documentation that will change and distort the moment. By means of my body and lighting I will create non-linear narratives that allow the viewer to experience their own perceptions, their own narratives.

Andy Jordan Andrew Jordan is a visual artist working in various media including sculpture, performance, fashion, costume design, and photography. He received his MFA with an emphasis in sculpture form the Cranbrook Academy of Art and his BFA in Fine Arts where he minored in Media Studies from the Columbus College of Art and Design. www.andytoad.com Andrew Jordan’s performances at the Party of One event at Location One are excerpts from a new collaborative piece that he is developing called Eidolon. The piece includes the artists – Cori Olinghouse, Christopher Williams, Mike Andrews, and Derek Piotr.

Luke Miller Luke Miller has danced professionally over the past decade and recently became a certified yoga teacher through OM Yoga. With Quinndustry, he has been curating performance and collaborating on sculpting events. www.lukemillerdance.com

Edie Nightcrawler Edie Nightcrawler enjoys overpowering people with dance by night and by day. pièce: Future Love music: Stereo Total performers: Andrea Yugoslavia Chirinos, Edie Nightcrawler costumes: David Quinn

David Quinn David Quinn has been designing since early childhood. His first teacher was his mother. He then studied costume design at the Interlochen Arts Academy. After which he attended the Fashion Institute of Technology. His career since school has taken him in many directions…from the NYC club scene of the late ’80s and early ’90s to red carpets around the world. Quinn has designed for dance, theatre, circus, TV, and film. He’s a favorite of both brides and today’s burlesque stars. David Quinn now enters the world of ready-to-wear with his Spring/Summer 2012 collection. This collection focuses on Quinn’s unique talent for dresses that women love. Dresses that flatter all body types and work for any event-day to night. Quinn’s deft hand at mixing color, pattern, texture and shape are brought together to achieve sophisticated and chic options for women of all ages.

Amber Sloane Amber Sloan is a Brooklyn based dancer, choreographer and teacher. Her upcoming show is October 28 and 29 at 7:30pm and October 30th at 5pm at the Gowanus Arts Center as produced by Spoke the Hub http://www.spokethehub.org/events/haerfest-showcase/.

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You are invited to a benefit to celebrate Location One on Friday, October 21!

With performances by some of the most exciting artists in New York—Plus Open Bar, Music, Dancing, Private VIP Performances!

Click here to view the embedded video.

ABOUT LOCATION ONE

Based in the Soho arts district of New York, Location One is an independent, non-profit organization dedicated to fostering new forms of creative expression and cultural exchange through exhibitions, residencies, performances, public lectures and workshops. Traditionally focused on technological experimentation and new media, Location One’s residencies and programs have favored social and political discourse and dialogue, and acted as a catalyst for collaborations. With a unique environment providing individualized training, support, and guidance to each artist, as well as exposure for their creations and collaborations, Location One continues to nurture the spirit of experimentation that it considers the cornerstone of its mission.

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The second night in a series of performances responding and reacting to BEHAVIOR, the current exhibition by Nayland Blake. At 6pm Blake will reenact his notorious performance, “Gorge,” a one-hour event in which the artist will sit shirtless in front of a table full of food from which the audience is encouraged to feed him.

photo by Nayland Blake, Gorge 2009

Performers: Rob Fitterman, Robert Gluck, Sarah Schulman, Carmelita Tropicana and Dominic Vine.
Curated by Nayland Blake

Please join us next Wednesday, December 17 for the first night in a series of performances responding and reacting to BEHAVIOR, the current exhibition by Nayland Blake.

During the course of the exhibition, Blake will also curate two more evenings of performances, January 9 and February 7. Each night he will invite five artists,
musicians, and authors to react to his work. The second Misbehavior, on January 9, will
be no less spectacular, showcasing additional performer-reactors, as well as a re-staging of
Blake’s notorious performance, “Gorge,” a one-hour performance in which the artist sits shirtless
in front of a table full of food from which the audience is encouraged to feed him. The final
Misbehavior, promises to be a grand finale, full of surprises. Be prepared to see interpretations of
Blake’s work by artists such as Zeena Parkins, Carolee Schneemann, and Lynn Tillman.


Nayland Blake - Misbehavior I - Carmelita Tropicana


Nayland Blake - Misbehavior I - Rob Fitterman



Nayland Blake – Misbehavior I – Dominic Vine. (Audio Only)
[display_podcast]
Dominic Vine (still image)

Artists: Yukinori Yanagi, Yuken Teruya, Motoyuki Shitamichi, Yoko Ono,
Nobuyuki Ohura, Yasumasa Morimura, Yutaka Matsuzawa, Eric van Hove,
Kota Ezawa, Allora & Calzadilla, Vanessa Albury.

Opening Reception: 6pm – 7pm, on August 6th(wed) 2008
Duration: 2008 August 6th(wed) – 2008 August 24th(sun)
Exhibition hours: 11:00 AM – 7:00 PM (Closed: Monday)
Admission: 500yen
Venue: Daikanyama Hillside Forum – Hillside Gallery
18-8 Sarugaku-cho, Shibuya-ku,
Hillside Terrace Building F Tokyo, Japan

Wednesday, July 16, 2008
7:00 pm

Jean Shin in conversation with Nathalie Anglès, Director of Location One’s International Residency Program

A Conversation on The Topic of Jean Shin’s Exhibition “And we move”
Wednesday, July 16, 2008 7pm
Free admission, Open to the public
at Location One 26 Greene Street (between Canal and Grand)

Jean Shin’s current exhibition at Location One “And we move” is an installation that explores the nature of music and musical production by analyzing some of its fundamental structures: the score, the conductor, the magnetic tape on which is it is recorded. A site-specific work developed during her residency at Location One, “And we move” incorporates large-scale inkjet prints, magnetic tape, and a video projection of a close view of a conductor’s back as he leads an orchestra, the folds of his jacket undulating with each of his movements. We don’t see his arms or the musicians, but the quiet passages and dramatic swells of the music (Ma Vlast (My Country), by Czech composer Bedrich Smetana, and Ibert’s Flute Concerto) are expressed in the rippling shadows and folds of the fabric.

Artist Jean Shin will talk about her work with Director of Location One’s International Residency Program, Nathalie Anglès on Wednesday, July 16 at 7pm. The event is free and open to the public. Light refreshments will be served.

Jean Shin creates elaborate sculptures and site-specific installations that suggest imaginary communities through the use of accumulated cast-offs. Mary Ceruti writes, “Jean Shin uses discarded material (the excess, the forgotten, the no longer useful) in works that operate between abstraction and representation. Made from the remnants of contemporary urban life, Shin’s sculptures form a sort of visual history and a social mapping.”

A Brooklyn-based artist, Jean has exhibited widely in the U.S. and abroad. Recently awarded a GSA Art in Architecture commission, she is working on a permanent large-scale work in the lobby of the Fallon Federal Building in Baltimore, Maryland. Exhibitions include the Museum of Modern Art, New Museum of Contemporary Art, Asia Society, Brooklyn Museum, Sculpture Center, Fabric Workshop, Socrates Sculpture Park, PKM Gallery (Beijing), Ssamzie Space (Seoul), Frederieke Taylor Gallery, and Galerie Eric Dupont (Paris).
Website: http://www.jeanshin.com

Jean Shin’s residency at Location One is supported by the Rockefeller Brothers Fund.

Benji Okuda instructing a life drawing class, an adult night school group at the Heart Mountain Relocation Center, Heart Mountain, Wyoming. Image courtesy of the National Archives, Records of the War Relocation Authority, 1941-1947.

June 16, 2008

New Museum

Night School: Public Seminar 6

Space within space within space /
Things to do while you’re alive /
Keywords School
Hu Fang, Zhang Wei & Xu Tan
June 19th – 21st, 2008

235 Bowery
New York, NY 10002
212.219.1222

http://www.newmuseum.org

Night School is an artist’s project by Anton Vidokle in the form of a temporary school. A yearlong program of monthly seminars and workshops, Night School draws upon a group of local and international artists, writers, and theorists to conceptualize and conduct the program.

Thursday June 19th, 7:30PM
Space within space within space

Vitamin Creative Space functions as an alternative working model specifically geared to the contemporary Chinese context. In order to operate independently from institutionalized funding, it is active both as an “independent” art space and as a “commercial” gallery. Vitamin Creative Space is actively challenging preconceptions by merging these two models, which traditionally are opposed strategies for supporting and presenting contemporary art, and is developing new Chinese contributions through research into both: the artistic practice and institutional organization within the new global context.

The seminar will look at the recent practice of Vitamin to explore how it is not merely a physical space, but is an attempt to create a new model for development and distribution of artist’s new thinking on creativity.

Friday, June 20th, 7:30 PM
Things to do while you’re alive

Accompanied by a slide show of Hu Fang’s recent pictorial collection of adverts, signs, photos from the realm of public media, Hu Fang and Zhang Wei will spontaneously generate a narration of a “life journey” and spatial transformations, outlining global surroundings we are living in and how there can be a possibility of the space for the artistic view of life: a view which proposes an alternative way of transforming reality.

Saturday, June 21st, 3 PM
Keywords School

The “Searching for Keywords” project was initialled from a series of interviews of active people in the Chinese society or people in the active Chinese area. By analyzing the content of these conversations, artist Xu Tan identified certain “keywords,” terms which shed light on values and motivations of contemporary Chinese society. “Keywords” measure the pulse of the current social climate and present an insight into the collective social consciousness of China. “Keywords” looks at connections between the individual speakers, words and the mental tendencies of the society.

In this seminar, Zhang Wei and Hu Fang will invite Xu Tan to discuss his Keywords project and introduce the idea of opening a “Keywords School,” as well as his conceptual approach, method and the larger social landscape made visible by the Keywords – a landscape of “collective consciousness” which actually frames our daily process.

Zhang Wei is director and co-founder of Vitamin Creative Space http://www.vitamincreativespace.com established in 2002, an independent art initiative exploring an alternative working mode, specifically geared to the contemporary Chinese context. Lives and works in Guangzhou and Beijing.She graduated with a MA in Creative Curating at Goldsmiths University in London, and has organized numerous exhibitions internationally. She has contributed to numerous exhibition catalogues and international magazines including Parkett, and curated(co-curated) and organized the show inside and outside Vitamin Creative Space include “Sprout from White Nights”(Bonniers Konsthall, Stockholm, 2008), “Through Popular Expression” at the Singapore Biennial (2006),ect. Zhang Wei is particularly interested in the exploration of the unique contribution from Chinese context within the international contemporary scenes, through which people can be inspired to find the new entry into life.

Hu Fang is an author and co-founder of Vitamin Creative Space. Lives and works in Guangzhou and Beijing.As a novelist and writer, Hu has published a series of novels including Shopping Utopia, Sense Training: Theory and Practise, and A Spectator. His recent publication is a collection of fictional essays called New Arcades (Survival Club, Sensation Fair, and Shansui.) His writing has appeared in Chinese and international art/culture magazines since 1996. His curatorial practices are widely engaged in different situations within Chinese and international contexts, he is coordinating editor of documenta 12 magazines, link curator of Singapore Biennial 2006 and a “player” of Lyon Biennial 2007, as well as the member of the curatorial team of Yokohama Triennale 2008.

Xu Tan was born in Wuhan, Hubei Province in 1957 and currently lives in Shanghai and Guangzhou. In the early 1990s he joined the “Big Tail Elephant Group” in Guangzhou with Lin Yinlin, Chen Shaoxiong and Liang Juhui. The aim of this group is to develop critical strategies for negotiating the rapidly changing economic and cultural life in China. His work has been shown around the world including the P.S.1, Biennale di Venezia, Berlin Biennial, Asia Pacific Triennial of Contemporary Art in Brisbane, Australia, Guangzhou Triennial, Taipei Biennial, De Appel in Amsterdam. Recent solo shows were held at the DAAD Gallery in Berlin, at the Vitamin Creative Space in Guangzhou, at BizArt is Shanghai.

All events are free with Museum admission but tickets are required. Tickets can be reserved online or at the Museum one week before the seminar’s start; a limited number of tickets will be available one hour before each event’s start. Tickets are limited, distributed on a first-come-first-serve basis, and must be collected prior to the event’s start time. Unclaimed tickets will be released promptly at the event’s start time. Please check individual events below for tickets and more information.

For tickets see http://www.newmuseum.org/events

Night School is part of the Museum as Hub, which is made possible by the Third Millennium Foundation.

With additional generous support from the Metlife Foundation

Additional support is provided by the National Endowment for the Arts, the New York City Department of Cultural Affairs, and the New York State Council on the Arts.

Endowment support is provided by the Rockefeller Brothers Fund, the Skadden, Arps Education Programs Fund and the William Randolph Hearst Endowed Fund for Education Programs at the New Museum.

Generous support also provided by the Charlotte and Bill Ford Artist Talks Fund.

The international residence program at SoHo’s Location One convenes to perform and screen works on 4 screens. Artists showcased tonight include:

Rob Kennedy
Nina Sobell
Eric Siu
Rashaad Newsome
Aoife Collins
Kuba Bakowski
Daniel Andersson
Katia Kameli
Luis Nobre

http://www.monkeytownhq.com/5_11_08.html

Gallery Side 2
Booth 680

Pier 94
Twelfth Avenue at 55th Street
New York City

The Armory Show 2008 Opening Day takes place Wednesday, March 26th for invited guests.

Opening Hours:
Thursday, March 27 – Saturday, March 29 Noon to 8 pm
Sunday, March 30 Noon to 7 pm
Tickets prices:

General Admission US$30

*IMHO* with Nora Ligorano and Marshall Reese

7pm, free admission

*IMHO* (In My Humble Opinion) series is a monthly artist interview series with Heather Wagner, Location One’s director of online exhibitions. This month, the featured artists are Nora Ligorano and Marshall Reese, the instigators of Crater New York: a Lunar Drawing Contest. They will discuss this work as well as past and future works, including their line of subversive pseudo-patriotic consumer goods, Pure Products. They started “The Pure Products of America Go Crazy” series 14 years ago, with the introduction of the original Bible Belt. Since then, the Pure Products of America has grown into a series of works that play with the role of politics in an age of marketing and consumerism.

Join us at 7pm on Wednesday, September 19 to talk about consumerism, rampant real estate over-development and the possibilities of lunar habitation.

Location One is happy to host exciting talks by renowned experts from many disciplines who reflect upon artistic and cultural themes that permeate our contemporary cultural landscape. Past speakers have included Martha Rosler, Chris Csikszentmihalyi, and Marcia Vetrocq. For a full list of our past Open House Wednesday talks, click here >>

We’ll reopen Open House Wednesday season with dorkbot NYC, starting Wednesday, September 3, at 7pm.

Open House Wednesdays

September 19, 2007: IMHO with Ligorano/Reese
Artists Nora Ligorano and Marshall Reese will discuss their current exhibition: Crater New York, A Lunar Drawing Contest as well as past and future artworks. 7pm, free admission.

September 5, 2007: dorkbot NYC
“People doing strange things with electricity” Members of the Conflux 2007 curatorial team will introduce this year’s Conflux, highlighting several key projects and covering the schedule of events.
Presenting: Christian Croft & Kate Hartman: Energy Harvesting Dérive

Mouna Andraos: Sustainable practices in electronic art and design

Michael J. Dory: Concrete Crickets

Recent Open House Wednesday events have included:

June 20, 2007 International Residents’ Exhibition 2006-2007 – CURATOR/ARTIST TALK more…

May 30 2007 *IMHO* with Heather Wagner in conversation with artist Tianna Kennedy more…

May 23 2007 Amanda McDonald Crowley, Executive Director of EYEBEAM more…

May 16 2007
SLART(TM) Art in Second Life: a presentation by Richard Minsky. more…

When and How you can visit Location One

Location One is located at:
26 Greene Street (between Canal and Grand), NY NY, 10013
Subway: A-C-E; N-R-Q-W; 6; J-M-Z to Canal Street
Location One is wheelchair accessible.

Gallery Hours: Tuesday-Saturday 12-6

for showtimes and admission to special events, please call the gallery at 212.334.3347

for more information contact us

Wednesday, June 14
7 – 10 PM

DJ Unicorn, DJ Normal Robot, and DJ Inquisition will lead the festivities including
Special Guests:
Reverend Luke Murphy &
Leesa and Nicole Abahuni

irreverent costumes
special performances by our artists
dancing
free libations

Tickets $15 (include one drink)
FREE for Location One members!
RESERVATIONS: Becki 212.334.3347 or becki@location1.org

Sign up for your membership on or before June 14th and you will get this event as a bonus, in addition to the usual three members-only happenings throughout the year, and free admission, exclusive invitations, special events and other benefits.

Membership starts at $25 for artists and $50 for individuals.

http://www.location1.org/membership/

Only in the experimental and unrestricted environment of Location One will you see and hear such a convergence of fiercely creative audio, visual, and performance art and meet so many intriguing people.

The Borderland Foundation
A living experiment in cross-cultural relations
with foundation Chairman Krzysztof Czyzewski

7:00pm
Admission: FREE

About Czyzewski, Gail Kimberling of the New York Times has written that he “has based his life’s work on pushing the limits of borders, whether it involves going beyond the acceptable, bringing the past to the present, or bridging one country or culture with another.” His presentation will include footage from documentary work generated by the program.

Location One is pleased to host a presentation by Krzysztof Czyzewski, Chairman of Borderland, the avant-garde cultural foundation, established in 1990 in Sejny in north-east Poland, right at the borders between Poland, Lithuania, Belarus and Russia. Mr. Czyzewski will talk about the intercultural activities of the Foundation and its many programs: theater, music, poetry and writing, publishing, film as well as educational and cross-generational.

Location One feels a particular kinship to the goals and programs of the Borderland Foundation since our aim is to encourage the convergence of cultural expression from all different parts of the world and different disciplines. We do this through our International Residency Program, and through our dense calendar of exhibitions, concerts, dance, weekly talks on issues of social, political, artistic and technological relevance. And we operate in a place that probably holds the widest variety of cultural expressions within its city limits: a borderland of sorts.

Borderland’s website

Click here to view the embedded video.

Benoît Maubrey performs “The Electronic Guy”

Click here to view the embedded video.

Samir Chatterjee, tabla
Jerome Harris, acoustic bass guitar, steel string guitar
Ned Rothenberg, clarinet, bass clarinet, alto saxophone and shakuhachi

Location One is pleased to announce that Ned Rothenberg’s SYNC will make its first NYC appearance of this concert season on Thursday, December 16 in our music space at 20 Greene Street. The concert marks the launch of “Harbinger”, the group’s new release on Animul Records. The CD, available at the concert, features compositions by Rothenberg and Chatterjee that encompass the wide arc of this trio’s stylistic range.

“The uncommon instrumentation is enhanced by a shared sense of purpose that gives Sync its winning character. Each player displays both the techniques and the sensitivity required to function as both soloist and accompanist, allowing Sync to maintain its three-way conversations after Rothenberg has finished soloing. This is not simply a matter of the leader’s ability to sustain extended melodic and rhythmic variations at lower volumes through circular breathing; it also results from the assurance that allows Harris to sustain a pronounced rhythmic underpinning in his guitar work and rare melodic fluency on bass. Chatterjee, who can sing and then play back the most complex patterns in the manner of the great tabla masters, also senses how to highlight more compact, swing-oriented parts through shifts in accents and dynamics.” (Bob Blumenthal, Boston Globe)

For more info on Samir Chatterjee see http://www.tabla.org
Jerome Harris: http://www.jeromeharris.com
Ned Rothenberg: http://www.nedrothenberg.com & http://nedrothenberg.com/Sync.html

Click here to view the embedded video.

Samir Chatterjee, tabla
Jerome Harris, acoustic bass guitar, steel string guitar
Ned Rothenberg, clarinet, bass clarinet, alto saxophone and shakuhachi

Location One is pleased to announce that Ned Rothenberg’s SYNC will make its first NYC appearance of this concert season on Thursday, December 16 in our music space at 20 Greene Street. The concert marks the launch of “Harbinger”, the group’s new release on Animul Records. The CD, available at the concert, features compositions by Rothenberg and Chatterjee that encompass the wide arc of this trio’s stylistic range.

“The uncommon instrumentation is enhanced by a shared sense of purpose that gives Sync its winning character. Each player displays both the techniques and the sensitivity required to function as both soloist and accompanist, allowing Sync to maintain its three-way conversations after Rothenberg has finished soloing. This is not simply a matter of the leader’s ability to sustain extended melodic and rhythmic variations at lower volumes through circular breathing; it also results from the assurance that allows Harris to sustain a pronounced rhythmic underpinning in his guitar work and rare melodic fluency on bass. Chatterjee, who can sing and then play back the most complex patterns in the manner of the great tabla masters, also senses how to highlight more compact, swing-oriented parts through shifts in accents and dynamics.” (Bob Blumenthal, Boston Globe)

For more info on Samir Chatterjee see http://www.tabla.org
Jerome Harris: http://www.jeromeharris.com
Ned Rothenberg: http://www.nedrothenberg.com & http://nedrothenberg.com/Sync.html

Click here to view the embedded video.

“Demotic” by Antoinette LaFarge and Robert Allen
a performance work about American Memory, a single character whose many voices are woven together into a complex texture of language, sound, and music to create a kind of covert national anthem.

“Demotic …of or pertaining to the current ordinary everyday form of a language; of or pertaining to the common people.”

All performances at 10pm EST (7pm PST)
Thursday, July 29
Friday, July 30
Saturday, July 31

How do we best portray the multiplicity underlying the American experience? In “Demotic,” artists Antoinette LaFarge and Robert Allen harness the Internet and the stage to create a performance work exploring American Memory. Made possible through the Beall Center’s high speed connectivity, the performance features a single live actor who draws on an ensemble of sound artists, dispersed performers, avatars, and the everyday experience of online citizens. From this tour-de-force improvisation emerges both a complex texture of language, sound, and music and a contemporary national anthem.

Live performances will take place at the Beall Center for Art and Technology, Irvine, CA.

Admission is free but seating is limited. Reservations are suggested (949) 824-4339
Directions: http://beallcenter.uci.edu/directions/directions.htm

All performances of “Demotic” will be webcast live via RealAudio at this address http://media.nacs.uci.edu:8080/ramgen/encoder/demotic.rm

Co creators: Antoinette LaFarge + Robert Allen
Stage Director: Robert Allen
Online Director: Antoinette LaFarge
Sound Artists: Maria de los Angeles Esteves and Jeff Ridenour
Theater Actor: Tracey Leigh
Online Performers: Marlena Corcoran, Ursula Endlicher, Richard Foerstl, Lise Patt, Richard Smoley, Heather Wagner

Alexei Shulgin In his New York debut
386 DX WIMP

One Performance Only:
February 13, 2004 8 PM
Admission: $15, members free
(No advanced ticket sales;
Doors open at 7:30 PM)

Alexei Shulgin created Cyberpunk six years ago. At last, he’s bringing his bizarrely affecting techno-pop musical art to New York, for a single performance on February 13th at Location One.

Shulgin’s Cyberpunk “band”, 386 DX, consists of an archaic computer that plays MIDI tunes with speech-synthesis “vocals” accompanied by Shulgin who “operates” the machine through a computer keyboard slung over his shoulder with a guitar strap. Their repertoire spans 30 years of pop music (from The Mamas and The Papas to Nirvana), and is by turns satirical, sentimental, innovative and just plain weird – - accompanied, as always, by Shulgin’s irreverent insight into net art, techno, and the contemporary entertainment scene.

Shulgin has played concert halls, clubs and every kind of venue throughout Europe and America, most notably through a chain-link fence from the American side of the US/Mexican border at Las Playas de Tijuana while his computerized counterpart was free to perform on the Mexican side of the border. The computer has performed as a solo act as well, singing pop songs to crowds on the streets of Graz, Austria and receiving tips for its musicianship.

WIMP (Windows Interface Manipulation Program or Windows, Icons, Menus and Pointing device – the prehistorical GUI of the 1970′s) is a program for creating full-screen visual animations synchronized with sound in real time. WIMP utilizes the graphical user interface (GUI) of the Windows operating system as its only visual source of inspiration. Standard interface elements from the desktop such as applications, windows, icons, images, pop-up menus and text are manipulated and transformed through the use of VJ effects. These animations are generated by simple 2- and 3-D effects and filters and their superimpositions. The versatile nature of WIMP allows it to be used as a VJ tool, a screensaver, a cool grafix generator or as a piece of conceptual art.

WIMP was created by Shulgin in collaboration with Victor Laskin and had its world premiere in October of 2003 at Dorkbot Rotterdam (http://dorkbot.org/dorkbotrotterdam/). It is downloadable as freeware at http://www.wimp.ru.

Click here to view the embedded video.

Alexei Shulgin is a Moscow-based artist, musician, curator, activist and professor. Shulgin has participated in numerous exhibitions and symposiums on photography, contemporary art and new media. He is the author and curator of several Internet projects including Form Art, which first introduced this new art form based on the aesthetics of a computer interface to the internet community in 1997. He also collaborated on the development of Runme.org, launched in January 2003 as an open database for people around the world to showcase their examples of software art. Since the creation of 386 DX in 1998, Shulgin has released two albums with the band including The Best of and Legend of Russian Rock.

Alexei Shulgin In his New York debut
386 DX WIMP

One Performance Only:
February 13, 2004 8 PM
Admission: $15, members free
(No advanced ticket sales;
Doors open at 7:30 PM)

Alexei Shulgin created Cyberpunk six years ago. At last, he’s bringing his bizarrely affecting techno-pop musical art to New York, for a single performance on February 13th at Location One.

Shulgin’s Cyberpunk “band”, 386 DX, consists of an archaic computer that plays MIDI tunes with speech-synthesis “vocals” accompanied by Shulgin who “operates” the machine through a computer keyboard slung over his shoulder with a guitar strap. Their repertoire spans 30 years of pop music (from The Mamas and The Papas to Nirvana), and is by turns satirical, sentimental, innovative and just plain weird – - accompanied, as always, by Shulgin’s irreverent insight into net art, techno, and the contemporary entertainment scene.

Shulgin has played concert halls, clubs and every kind of venue throughout Europe and America, most notably through a chain-link fence from the American side of the US/Mexican border at Las Playas de Tijuana while his computerized counterpart was free to perform on the Mexican side of the border. The computer has performed as a solo act as well, singing pop songs to crowds on the streets of Graz, Austria and receiving tips for its musicianship.

WIMP (Windows Interface Manipulation Program or Windows, Icons, Menus and Pointing device – the prehistorical GUI of the 1970′s) is a program for creating full-screen visual animations synchronized with sound in real time. WIMP utilizes the graphical user interface (GUI) of the Windows operating system as its only visual source of inspiration. Standard interface elements from the desktop such as applications, windows, icons, images, pop-up menus and text are manipulated and transformed through the use of VJ effects. These animations are generated by simple 2- and 3-D effects and filters and their superimpositions. The versatile nature of WIMP allows it to be used as a VJ tool, a screensaver, a cool grafix generator or as a piece of conceptual art.

WIMP was created by Shulgin in collaboration with Victor Laskin and had its world premiere in October of 2003 at Dorkbot Rotterdam (http://dorkbot.org/dorkbotrotterdam/). It is downloadable as freeware at http://www.wimp.ru.

Click here to view the embedded video.

Alexei Shulgin is a Moscow-based artist, musician, curator, activist and professor. Shulgin has participated in numerous exhibitions and symposiums on photography, contemporary art and new media. He is the author and curator of several Internet projects including Form Art, which first introduced this new art form based on the aesthetics of a computer interface to the internet community in 1997. He also collaborated on the development of Runme.org, launched in January 2003 as an open database for people around the world to showcase their examples of software art. Since the creation of 386 DX in 1998, Shulgin has released two albums with the band including The Best of and Legend of Russian Rock.

“. . . the power of this solo lay in its unarticulated yet strong emotions, conveyed through impressive physical and emotional control.”
-Jennifer Dunning, in review of “R-1″ for New York Times (April 3, 2001)

“RL.1″ is a work for solo dancer, video, and music. Dancer/choreographer Chantal Yzermans creates expressive, abstracted forms and motions with the restrained power and expanded time-sense of butoh. In “RL.1″, she performs blindfolded. Video artist Kurt Ralske uses a camera to capture images of the dancer in real-time. The images are processed and layered in real-time, creating a dialogue of shapes and forms with the dance. Dance and image drift in and out of abstraction, simultaneously or in contrast. The video functions variously as a set design, as a commentary on the dance, and as counterpoint to the dance. At times, multiples of images of the dance act as a “real-time Greek chorus” to the solo dancer, providing a record of what has occurred, expanding on what is occurring, and hinting at what is to come. At other times, the dancer’s motions have the quality of a ritual, with the video’s abstractions serving to make the invisible aspects of the ritual visible. “RL.1″ utilizes two very different techniques of communication via the presentation of image (dance and video), while achieving a harmony and simultaneity of expression. “RL.1″ premiered at Joyce Theater Soho in May 2001.

RADICAL LOW is a dance and multimedia ensemble formed in Spring 2001 by Kurt Ralske and Chantal Yzermans. Radical Low has performed at Joyce Theater Soho, Merce Cunningham Studio, at Recyclart Centre (Bruxelles, Belgium), the 92nd St. Y, Judson Hall, and Galapagos Art Space.

RADICAL LOW is exploring the intersection of dance and technology by using custom software created by the artists. New avenues are opened for the relationship between dance and sound and image. Some techniques the artists have used are: video capture, real-time video processing, image analysis, sensors, and networked audio-video control systems

Click here to view the embedded video.

In February 2003, Kurt received received the Image Award at Transmediale International Media Art Festival in Berlin, for for his work on the DVD “Live in Bruxelles” by real-time video improvisation ensemble 242.pilots.

Kurt works mainly as a performer: as a soloist, with other video artists, with live dancers, or with live musicians. He has created interactive video installations, software art, and video-derived still images. He is the author of Auvi, a commercially released software environment for creating custom real-time video programs. (http://auv-i.de)

Chantal Yzermans [dancer/choreographer] was born in Ostend, Belgium, currently residing in NY. Chantal worked in Europe as a freelance choreographer in collaboration with Belgian composer Starfish Pool. Together they toured throughout Europe and Canada with “Ritual for the Dying.” Yzermans was invited to work for the Belgian National Television, German National Television and Festival van Vlaanderen for which she choreographed a contemporary opera “Turm aus Zimst” by German composer Hans Rotman and Belgian film director Jaak Servaes. As a choreographer in residence, she worked at the Keizer Karel Hogeschool in Antwerp, Belgium, where she created “11 Windmills and One Dandelion,” presented at venues throughout France, the Netherlands, Germany and Spain. She received an award “The Vondelpreis (reisestipendium)” from the arts granting organization Alfred Toepfer Stifftung (Hamburg, Germany) for Choreography in 1998. In NYC, her work has been performed at venues such as Judson Church, presented by Movement Research; 92nd Street Y; the Merce Cunningham Studio; and Joyce Theatre Soho.

“. . . the power of this solo lay in its unarticulated yet strong emotions, conveyed through impressive physical and emotional control.”
-Jennifer Dunning, in review of “R-1″ for New York Times (April 3, 2001)

“RL.1″ is a work for solo dancer, video, and music. Dancer/choreographer Chantal Yzermans creates expressive, abstracted forms and motions with the restrained power and expanded time-sense of butoh. In “RL.1″, she performs blindfolded. Video artist Kurt Ralske uses a camera to capture images of the dancer in real-time. The images are processed and layered in real-time, creating a dialogue of shapes and forms with the dance. Dance and image drift in and out of abstraction, simultaneously or in contrast. The video functions variously as a set design, as a commentary on the dance, and as counterpoint to the dance. At times, multiples of images of the dance act as a “real-time Greek chorus” to the solo dancer, providing a record of what has occurred, expanding on what is occurring, and hinting at what is to come. At other times, the dancer’s motions have the quality of a ritual, with the video’s abstractions serving to make the invisible aspects of the ritual visible. “RL.1″ utilizes two very different techniques of communication via the presentation of image (dance and video), while achieving a harmony and simultaneity of expression. “RL.1″ premiered at Joyce Theater Soho in May 2001.

RADICAL LOW is a dance and multimedia ensemble formed in Spring 2001 by Kurt Ralske and Chantal Yzermans. Radical Low has performed at Joyce Theater Soho, Merce Cunningham Studio, at Recyclart Centre (Bruxelles, Belgium), the 92nd St. Y, Judson Hall, and Galapagos Art Space.

RADICAL LOW is exploring the intersection of dance and technology by using custom software created by the artists. New avenues are opened for the relationship between dance and sound and image. Some techniques the artists have used are: video capture, real-time video processing, image analysis, sensors, and networked audio-video control systems

Click here to view the embedded video.

In February 2003, Kurt received received the Image Award at Transmediale International Media Art Festival in Berlin, for for his work on the DVD “Live in Bruxelles” by real-time video improvisation ensemble 242.pilots.

Kurt works mainly as a performer: as a soloist, with other video artists, with live dancers, or with live musicians. He has created interactive video installations, software art, and video-derived still images. He is the author of Auvi, a commercially released software environment for creating custom real-time video programs. (http://auv-i.de)

Chantal Yzermans [dancer/choreographer] was born in Ostend, Belgium, currently residing in NY. Chantal worked in Europe as a freelance choreographer in collaboration with Belgian composer Starfish Pool. Together they toured throughout Europe and Canada with “Ritual for the Dying.” Yzermans was invited to work for the Belgian National Television, German National Television and Festival van Vlaanderen for which she choreographed a contemporary opera “Turm aus Zimst” by German composer Hans Rotman and Belgian film director Jaak Servaes. As a choreographer in residence, she worked at the Keizer Karel Hogeschool in Antwerp, Belgium, where she created “11 Windmills and One Dandelion,” presented at venues throughout France, the Netherlands, Germany and Spain. She received an award “The Vondelpreis (reisestipendium)” from the arts granting organization Alfred Toepfer Stifftung (Hamburg, Germany) for Choreography in 1998. In NYC, her work has been performed at venues such as Judson Church, presented by Movement Research; 92nd Street Y; the Merce Cunningham Studio; and Joyce Theatre Soho.

“. . . the power of this solo lay in its unarticulated yet strong emotions, conveyed through impressive physical and emotional control.”
-Jennifer Dunning, in review of “R-1″ for New York Times (April 3, 2001)

“RL.1″ is a work for solo dancer, video, and music. Dancer/choreographer Chantal Yzermans creates expressive, abstracted forms and motions with the restrained power and expanded time-sense of butoh. In “RL.1″, she performs blindfolded. Video artist Kurt Ralske uses a camera to capture images of the dancer in real-time. The images are processed and layered in real-time, creating a dialogue of shapes and forms with the dance. Dance and image drift in and out of abstraction, simultaneously or in contrast. The video functions variously as a set design, as a commentary on the dance, and as counterpoint to the dance. At times, multiples of images of the dance act as a “real-time Greek chorus” to the solo dancer, providing a record of what has occurred, expanding on what is occurring, and hinting at what is to come. At other times, the dancer’s motions have the quality of a ritual, with the video’s abstractions serving to make the invisible aspects of the ritual visible. “RL.1″ utilizes two very different techniques of communication via the presentation of image (dance and video), while achieving a harmony and simultaneity of expression. “RL.1″ premiered at Joyce Theater Soho in May 2001.

RADICAL LOW is a dance and multimedia ensemble formed in Spring 2001 by Kurt Ralske and Chantal Yzermans. Radical Low has performed at Joyce Theater Soho, Merce Cunningham Studio, at Recyclart Centre (Bruxelles, Belgium), the 92nd St. Y, Judson Hall, and Galapagos Art Space.

RADICAL LOW is exploring the intersection of dance and technology by using custom software created by the artists. New avenues are opened for the relationship between dance and sound and image. Some techniques the artists have used are: video capture, real-time video processing, image analysis, sensors, and networked audio-video control systems

Click here to view the embedded video.

In February 2003, Kurt received received the Image Award at Transmediale International Media Art Festival in Berlin, for for his work on the DVD “Live in Bruxelles” by real-time video improvisation ensemble 242.pilots.

Kurt works mainly as a performer: as a soloist, with other video artists, with live dancers, or with live musicians. He has created interactive video installations, software art, and video-derived still images. He is the author of Auvi, a commercially released software environment for creating custom real-time video programs. (http://auv-i.de)

Chantal Yzermans [dancer/choreographer] was born in Ostend, Belgium, currently residing in NY. Chantal worked in Europe as a freelance choreographer in collaboration with Belgian composer Starfish Pool. Together they toured throughout Europe and Canada with “Ritual for the Dying.” Yzermans was invited to work for the Belgian National Television, German National Television and Festival van Vlaanderen for which she choreographed a contemporary opera “Turm aus Zimst” by German composer Hans Rotman and Belgian film director Jaak Servaes. As a choreographer in residence, she worked at the Keizer Karel Hogeschool in Antwerp, Belgium, where she created “11 Windmills and One Dandelion,” presented at venues throughout France, the Netherlands, Germany and Spain. She received an award “The Vondelpreis (reisestipendium)” from the arts granting organization Alfred Toepfer Stifftung (Hamburg, Germany) for Choreography in 1998. In NYC, her work has been performed at venues such as Judson Church, presented by Movement Research; 92nd Street Y; the Merce Cunningham Studio; and Joyce Theatre Soho.

Under Strange Skies
A Documentary by Daniel Blaufuks
Narrated by Bruno Ganz, 57 min, digital, color, 2002.
prod.: LX Filmes, Lisboa

December 3rd, 2003 at 8pm
Free Admission

(New York, NY – November 14, 2003) – On December 3rd, 2003 Location One will present a free public screening of Daniel Blaufuk’s documentary Under Strange Skies, the story of his German Jewish family’s flight from Nazi Germany to Lisbon.

During the Second World War, Lisbon, like Casablanca, was a corridor for refugees going from Hitler’s occupied territories to America. This film tells two parallel stories about exile and accommodation. Through a narrated memoir and photographs, the tale of a German Jewish family that decided to stay in Portugal is recounted. The larger, more sociological account of artists who used Lisbon’s escape route is skillfully told as well, using beautifully shot historic footage and written memoirs by some of the era’s leading intellectuals, including Heinrich Mann (The Blue Angel) and Alfred Döblin (Berlin Alexanderplatz). This film evokes a desperate, intensely romantic period of exile, despair, and, ultimately, freedom.
-Marc Glassman, Hot Docs, Toronto

“The filmmaker’s narration interweaves with the recollections of his grandfather and of such famed Lisbon refugees as Heinrich Mann and Alfred Döblin, highlighting a montage of old photos, home movies, and archival footage of delicate beauty.” -Peter Keough, The Boston Phoenix

“haunting, elegiac” -The Jewish Advocate

Under Strange Skies has been shown at Hot Docs Canadian International Documentary Festival, The Boston Jewish Film Festival, Rencontres Internationales du Documentaire de Montreal, DocLisboa and the Goethe Institute, New York.

Daniel Blaufuks
In 1989, Daniel Blaufuks won the national Kodak Award. In 1996, he was among the final eight chosen for the European Photography Award. Daniel Blaufuks has been working on the relation between photography and literature, through works like My Tangier with the writer Paul Bowles. More recently, Collected Short Stories displays several photographic diptychs in a kind of “snapshot prose,” a speech based on visual fragments that give indication of private stories on their way to become public. He has been showing widely in Europe and works mainly in photography and video, presenting his work through books, installations and set designs. Recent solo exhibitions include: Calouste Gulbenkian Foundation, Lisbon, Portugal; Palazzo delle Papesse, Siena, Italy; LisboaPhoto, Centro Cultural de Belém, Lisbon, Portugal. Blaufuks’ residency at Location One is supported by the Calouste Gulbenkian Foundation and the Luso-American Development Foundation.

For more information see http://www.danielblaufuks.com

Location One is proud to present:

Poetic Spectrum – Images, Objects, and Words of Gozo Yoshimasu

September 3 – September 23, 2003
Opening Reception: September 3, 6 – 8pm

Listen to a sound clip of “Ishikari sheets” (music by Scott Fraser)
[display_podcast]

Poetry reading by Yoshimasu: September 23, 2003 at 7 PM
Live translation by American poet Geoffrey O’Brien
Improvisational music by guitarist Jean-François Pauvros
Poems translated by Hiroaki Sato
Admission: Free – Doors open at 6pm

Curated by Miwako Tezuka
Gallery hours: Tue – Sat 12-6 PM
Tuesday, September 23 12-7 PM

Location One is pleased to present the New York debut exhibition and special performance reading by renowned Japanese poet Gozo Yoshimasu, recent recipient of the Purple Ribbon Award from the Japanese Government for his significant cultural contributions. Poetic Spectrum will present Yoshimasu’s photographs and copperplate calligraphies for the first time to the New York audience, and will also bring the legendary poet to New York to perform after a ten-year absence.

A highly acclaimed avant-garde poet since the 1960s, Yoshimasu is a poet of migrant vision, creating his works while he travels to different locales and cultures, composing his poems through vision, touch, and sounds. He has more recently expanded his poetic works to include the media of photography and calligraphy. The exhibition Poetic SpectrumPoetic Spectrum captures the multi-faceted nature of the poet’s work through 30 photographs and 15 engraved calligraphies, each treated as a word, and interwoven to create textual complexity in space. explores Yoshimasu’s poetry as a web of interconnected images, objects, and words that reflect on a conflicting sense of nostalgia and estrangement.

In a rare event, Yoshimasu will come to New York City to read/perform selections from his most recent poems on September 23rd. Through his unique performance style, his voice, ultimately weaves together the visions and touches of the past, and revives the singularity of those encounters. The amalgamation of images, objects, words, and reading as performance, will present a possibility of transcending the limit of language, and reveal the trans-cultural fertility of poetry.

This performance will last just under an hour and will include a live translation by American poet Geoffrey OíBrien, as well as improvisational music by experimental guitarist, Jean- François Pauvros. The event will be streamed live on the Location One website beginning at 7PM EST.

Poetic Spectrum – Images, Objects, and Words of Gozo Yoshimasu is made possible through the generous support of The Japan Foundation, as well as through contributions from members of Location One. Poetic Spectrum is a participating event of “US-Japan 150,” a two-year nationwide festival commemorating the 150th anniversary of the inception of relations between the US and Japan in 1853. Thanks to Itoen Tea for its generous contribution of beverages.

BIOGRAPHIES

Gozo Yoshimasu was born in Tokyo in 1939 and published his first book of poems entitled Shuppatsu (Departure) in 1964. Juxtaposing imagery of reality and memories of various locations, his poems open new vistas that reach one’s collective consciousness. Yoshimasu is also known for his unusual, trance-like reading through which he has collaborated with artists such as Kazuo Ono and Nobuyoshi Araki. Considered to be an emblematic presence in postwar Japanese poetry, many of his poems have been translated into various languages. He has given readings at Centre Georges Pompidou (2000), Taipei International Poetry Festival (2001), and has exhibited his photographs and calligraphies at São Paulo Biennale (1990), Chambre de Commerce et Industrie, Strasbourg (2000), among others. In May 2003, he received the Purple Ribbon Award from the Japanese government for his significant cultural contributions.

Miwako Tezuka is an independent curator and a Ph.D. candidate at the Department of Art History and Archaeology, Columbia University. She specializes in postwar Japanese avant-garde art. She was a recipient of the Luce Foundation Museum Fellowship in Asian Art at the Asia Society, NY. Her recent work includes curatorial consultation for The Legacy Project’s 9/11 commemorative exhibition, In Memory: The Art of Afterward, at the Mishkin Gallery, NY (2002), and co-curation of Making It Home: Three Contemporary Asian Artists, at the ISE Gallery, New York (2002).

Jean-François Pauvros, guitar, was born in France. A well-known avant-garde guitarist composer and performer, he made his debut in the late 1970s, forming a trio called Catalogue with Gilbert Artman (ex. urban sax) and Jac Berrocal (trumpet, voice). He is considered one of the foremost European experimental guitarists.

Geoffrey O’Brien is a widely published poet, critic, editor, and cultural historian. He has been honored with a Whiting Award and fellowships from the Guggenheim Foundation and the New York Institute for the Humanities. A regular contributor to The New York Review of Books, he is the editor-in-chief of The Library of America. His most recent publication is A View of Buildings and Water. He lives in New York City.

Poems by Yoshimasu in English translation:

A Thousand Steps…and More: Selected Poems and Prose 1964-1984. Translated by Richard Arno, Brenda Barrows, and Takko Lento. Oakland: Katydid Books, Oakland University, 1987.

Osiris, the God of Stone. Translated by Hiroaki Sato. Laurinburg: St. Andrews Press, 1989.

“Kadena” (To appear in Simple Vows, #4. Ed. Kemp Gregory, San Antonio.)

Choreographed by Katja Rotzoll
Arranged by Irina Kornejewa
Technical Assistance by Thomas Berndt

Note: Space is limited and the performance will begin promptly at 8 PM at Location One’s gallery at 26 Greene Street. Audience members are advised to arrive early to assure admission. Doors will open at 7:30 PM for ticket purchase or for member sign-in.

The Audio Ballerinas will perform two pieces; PEEPERS (8 minutes): Audio Ballerinas with photo-resistor sensors and group choreography with spotlights on tripods, and YAMAHA LADIES (15 minutes): Audio Ballerinas with exposed Yamaha keyboards and mercury sensors. Their movements trigger the various sounds and melodies of the dismembered keyboard. These pieces have been choreographed by Katja Rotzoll and arranged by Irina Kornejewa. There will also be a special solo performance, AUDIO HAT, choreographed and performed by Irina Kornejewa. Kornejewa has worked with a group of New York dancers to create these performances, which have been facilitated with the technical assistance of Thomas Berndt and Location One.

[Show as slideshow]

Benoît Maubrey and his Berlin-based Audio Gruppe build electro-acoustic clothing and suits. These are clothes equipped with loudspeakers, amplifiers, and 257 K samplers that enable them to react directly with their environment by recording live sounds, voices, or instruments in their proximity, and amplifying them as a mobile and multi-acoustic performance. They also wear radio receivers, contact microphones, light sensors and electronic looping devices in order to produce, mix, and multiply their own sounds and compose these as an environmental concert. The performers use rechargeable batteries and/or solar cells, which ensures them complete mobility both indoors and outdoors.

Thanks to the vision and generosity of the Rockefeller Family Foundation, Location One has conducted over the past year a continuing investigation into the possibilities of collaborative Internet-based interactivity, combining real-time drama or physical movement with electronic audio and visual production. This performance is the latest experiment in this investigation.

Click here to view the embedded video.

October 22, 2002

Admission: Regular $5, Students $2, Members Free.

Location One is pleased to announce the second talk of our series Performance Contemporary: a conversation with Paul Kaiser conducted by Bonnie Marranca. PAUL KAISER is a digital artist whose work has been exhibited in performance spaces such as Lincoln Center and Barbicon and in museums and galleries, such as the Whitney, Pompidou Center and Eyebeam. His work began in experimental film and audiotape; he also studied the storytelling practices of the Tarahumara and Navajo Indians. Kaiser spent ten years in Washington D.C. teaching students with severe learning disabilities. He began developing computer programs that allowed these children to build multimedia depictions of their own minds. In 1994, Kaiser relocated to New York and founded Riverbed, a multimedia studio, in order to create cultural and art-oriented interactive projects. Kaiser created the virtual dances Hand-Drawn Spaces and BIPED, with Merce Cunningham and Shelley Eshkar, and Ghostcatching, with Bill T. Jones. Kaiser’s piece Trace (2001), a multimedia narrative installation with audio design by Bell Labs scientist Nicholas Tsingos, was seen at the Brooklyn Academy of Music as part of the Arts in Multimedia program. His most recent public art work, Pedestrian, a project produced by the Art Production Fund and Eyebeam, was installed at three Manhattan sites including Rockefeller Center, The Studio Museum in Harlem, and Eyebeam in Chelsea. He has received many awards, including ComputerWorld/Smithsonian Award in 1991, a Guggenheim Fellowship in 1996, and a Bessie award in 2000.

BONNIE MARRANCA is co-founder and editor of PAJ: A Journal of Performance and Art. A theatre critic residing in New York City, she has written two volumes of essays, Ecologies of Theatre, and Theatrewritings, which won the George Jean Nathan Award in Dramatic Criticism, and has edited several books, including Conversations on Art and Performance, Plays for the End of the Century, and Interculturalism and Performance. Bonnie Marranca is a Guggenheim Fellow and Fulbright scholar and is currently teaching at Princeton University. She is Director of Special Performance Projects at Location One.

Future PerformanceContemporary events:
The Wooster Group-A Dictionary of Ideas: Tuesday, November 19, 7 PM.
Dialogue with Richard Maxwell: Tuesday, December 17, 7 PM

An electronic presentation of a new work-in-progress
written and directed by Mac Wellman

With Stephen Mellor as Ambrose Bierce
Online artists: Isabelle Jenniches (in Amsterdam), Franois Bucher (Colombia), Heather Wagner (New Jersey)

Tuesday August 20st at 8pm
Wednesday August 21st at 8pm
Thursday August 22nd at 8pm*
Friday August 23rd 8pm*
Saturday August 24th 8pm*
* Performance by live actor

Free Admission

August 21st-24th (12-6pm), Location One will continuously show an electronic presentation of Bitter Bierce that incorporates the prior night’s performance.

Two-time Obie Award-winning playwright Mac Wellman will present, in collaboration with a team of Location One artists, a new work-in-progress entitled “Bitter Bierce,” based on the life and works of satirist, critic, journalist, novelist and short-story writer Ambrose Bierce.

In this unique collaboration between Mac Wellman and an international group of Location One artists each performance will combine live and electronic elements; a live actor will perform at three of the five scheduled events; artists connected to a network both locally and remotely will respond to the performer and the script using collaborative software to manipulate in realtime video images and audio elements. These large-scale images will then be projected onto the gallery walls and online at www.location1.org.

Location One is most grateful to the New York State Council on the Arts and the City of New York Department of Cultural Affairs for their generous support of this project.

Mark Dresser Modular Ensemble
a music performance curated by Ned Rothenburg

Mark Dresser & Marcus Weiss Duo

8:00 PM Each night
$10 admission – Members Free

Mark Dresser Modular Ensemble Composer and bassist Mark Dresser will present an evening of his compositions including the U.S. Premier of “Althaus” for an ensemble of virtuoso musicians from Switzerland including tuba soloist, David LeClair with Marcus Weiss (alto sax), Regula Schneider (clarinet), Stefania’ Verita’ (cello) and New York bassist, Mark Dresser.

“Althaus” is written for tuba virtuoso David LeClair and a mixed ensemble of reeds and strings. It was recorded on Mark Dresser’s 2000 Tzadik release, “Marinade”. This “tuba-fest” has Mr. LeClair as featured soloist in a work that integrates composition and improvisation, mining rich “new” sounds, catchy grooves, a long evolving melody, and a singing chorale. Also featured will be “Quartet for Trio” with Matthias Ziegler (flutes), Regula Scheneider (voice and clarinet) and bassist Dresser. There will also be a world premier of a sextet composed by saxophonist, Marcus Weiss.

Mark Dresser & Marcus Weiss Duo
Swiss virtuoso saxophonist Marcus Weiss, a champion of contemporary music performance, and the New York bass virtuoso and composer Mark Dresser will present an evening of compositions, structured improvisations and solo pieces. In the last ten years Marcus Weiss has premiered more than a hundred works for solo saxophone, chamber music and saxophone concertos. Such composers as Georges Aperghis, John Cage, Helmut Lachenmann, Salvatore Sciarrino, Vinko Globokar, Hanspeter Kyburz, Manuel Hidalgo, Jô Kôndô, Elliott Sharp, Brice Pauset, Stefano Gervasoni, Mauricio Sotelo and others have composed for him.

The Internet as Author, Venue, and Performer
Conceived and created by Robert Allen and Antoinette LaFarge

8:00 PM
No Admission Charge

Direction by Robert Allen
Script by Antoinette LaFarge
Visual design by Antoinette LaFarge and Amy Kaczur in collaboration with Jon Winet and “Democracy-The Last Campaign”
Costumes by Nicole Evangelista
Character development & additional text by The Plaintext Players
Performances by Pathogen Arts: Kevin Keaveney and David Moo

Location One is pleased to present “Virtual Live”, a special streaming-video preview of The Roman Forum II: the will of the people and an accompanying online discussion of virtual performance.

Streaming Video Performance:

Two brief excerpts from the upcoming Roman Forum II will be streamed live on our website. The Roman Forum II is a neo-Vaudevillean performance work that focuses on the aftermath of the 2000 elections seen through the eyes of five Romans from the time of the emperor Nero. These excerpts feature live footage of an actor performing at Location One mixed in realtime with a preconstructed video environment using green-screen technology. These selections from Roman Forum II have a special relevance in the wake of the World Trade Center disaster as they feature meditations on the nature of our republic, the character of our president, and America’s “return to history”.

“Our goal is to give people some insight into the political machine that runs our lives,” say Robert and Antoinette. “We should not be tempted to marginalize the 2000 election fiasco in the face of the World Trade Center disaster. We are only now dealing with the long-term consequences of the decisions that put Bush into the White House instead of Gore, and as time distances us from the terrorist attacks, our ability to see things in a broader perspective only points more emphatically back to the issues raised in that election.”

All of the material in The Roman Forum II (both text and visuals) was developed from Internet resources, including virtual performances by the Plaintext Players (a pioneering Internet performance group directed by Antoinette), as well as chat rooms, bulletin boards, web pages, email and listservs, archives, webcams, etc.

Online forum:

Accompanying the streaming videos will be an online discussion on the nature of virtual performance led by the Plaintext Players using Location One’s Java chat client. The livestream/chat section of the site allows a seamless experience of “Virtual Live” by combining streaming video and live text in one window.

The five Roman characters of Roman Forum II — two of whom will be featured in the streaming video performances — were originally developed by The Plaintext Players in a series of online improvisations. In addition, a significant portion of the script for Roman Forum II is based on their online work.

The forum will begin with a brief improvisation by The Plaintext Players in their Roman characters, which will segue smoothly into an open discussion of avatars and online performance in which everyone logged in to the chat area will be welcome to participate.

Live Gallery Performance:
It will also be possible to attend “Virtual Live” in the flesh in our gallery space at 26 Greene Street where the video and forum will be projected live and a terminal will be provided for audience participation.

Note: The Roman Forum II was originally scheduled to premiere on the West Coast in November 2001 but was canceled by the producing venue in the aftermath of the September 11th terrorist attacks. Despite this, work on the project is continuing, with the premiere projected for fall 2002.

Biographies of the Artists

ROBERT ALLEN (director)
moved to the West Coast from New York, where his recent projects include How I Got That Story by Amlin Gray (August 2001, New York City), The Roman Forum (August 2000, Los Angeles), Dear Anton (Chekhov Now Festival, 1999), The Creditors (New York International Fringe Festival, 1999), “August in January,” a festival celebrating August Strindberg’s 150th birthday (Theater 22, 1999), Le MŽnage (LaMama E.T.C. 1998), Still Lies Quiet Truth (New York International Fringe Festival, 1998), and The Good Night (Theatre for the New City, 1998). In addition to Roman Forum II, upcoming productions include Twilight by Anna Deveare Smith (March 2002, Cal State Long Beach), The Measures Taken by Bertolt Brecht (April 2002, Los Angeles), and Ordnung und Unordnung (June 2002, Hellerau, Germany). Robert has an M.F.A. in Theater from Columbia University, where he studied directing with Anne Bogart. His work as a director is grounded in prior experience as a choreographer and performer in German Tanztheater, working with Reinhild Hoffmann (a contemporary of Pina Bausch) and other German directors. Robert also possesses an M.F.A. in modern dance from UCLA and a B.F.A. in visual art from the San Francisco Art Institute. He currently teaches at California State University, Long Beach, and Cypress College. His resume can be browsed online at http://members.loop.com/~hai.

ANTOINETTE LAFARGE (script/visual design/online direction)
is an artist and writer with a special interest in virtual realities and fictive worlds. She is the director of The Plaintext Players, an Internet performance group that uses net-based virtual worlds to stage their performances. She is also the founder-director of the Museum of Forgery, a virtual institute dedicated to the aesthetics of forgery. She is an associate of the Institute of Cultural Inquiry, Los Angeles, for whom she recently designed the book Benjamin’s Blind Spot (2001) and is the author of “Cylex,” a short fiction published in Wired 2.05, and a number of articles in Leonardo, Gnosis, and other magazines. In addition to Roman Forum II, upcoming projects include Reading Frankenstein, a multimedia theater work scheduled to premiere in 2003. She is an assistant professor of digital media at the University of California, Irvine, where she co-curated “SHIFT-CTRL: Computers, Games, and Art”, the inaugural exhibition of the Beall Center for Art and Technology (2000). She formerly taught at the School of Visual Arts, New York, where she received her M.F.A. in Computer Art. Her domain is www.forger.com.

NICOLE EVANGELISTA (costume designer)
currently freelances in the film and theater arena of New York City. Film and tv work includes: Saturday Night Live, Don’t Say a Word, Curse of the Jade Scorpion (dir. Woody Allen) and Third Watch. She has designed costumes for such productions as The Roman Forum (Side Street Live, LA, 2000), The Embraceable Me (Rachel Reiner Productions, NY, 2000), Richard IIFinding Louise (Oberon Theatre Ensemble, NY, 2000), Between Sets (Julliard Dance Division, NY, 2000), and Cherie (The Live Bait, Chicago, 1999), which earned her the Joseph Jefferson Award for Most Outstanding Costume Design of 1999. Nicole studied at the Julliard School and holds a B.F.A. in Costume Design from DePaul University. (The Eleventh Hour, NY, 2000),

AMY KACZUR (visual design/video editing)
is an interdisciplinary artist, currently working in video, film, and digital technologies. Recent works include White FlightDesire Dogs (2001), Effigy for a Good Life (2000), Hypnovator (2000), Snoots and Tales (1999), Nursing/Mother (1999). Recent exhibitions include Athens International Film and Video Festival (Ohio University, Athens); Film and Video Annual (Museum of Fine Arts, Boston); NO-TV & Movies #20 (RCTV, Rochester Community Television, the Media Center @ Visual Studies Workshop, Rochester, NY); Narration: Emblem and Sequence in Contemporary Art (Hilles Gallery, Creative Arts Workshop, New Haven); Centered on the Center (Huntington Beach Art Center, Huntington Beach, CA); Indomitable (The Beall Center for Art and Technology, University of California, Irvine). She received her B.F.A. from Tufts University (1983) and is currently an M.F.A. candidate at the University of California, Irvine (2002). (2001),

KEVIN KEAVENEY (Petronius Arbiter)
has been performing for several years in New York’s off-Broadway and downtown scene. the will of the people marks the sixth time he has worked with Robert Allen, previously having appeared in The Roman Forum (Petronius Arbiter, 2000), Strindberg’s Creditors (Gustav, 1999), The Secret History of the Lower East Side (1998), and Still Lies Quiet Truth (Baron Samedi, 1998). Kevin can also be seen as Orson Welles in the recent film Orson Welles Sells His Soul to the Devil. Kevin has a degree in theater from Yale University.

DAVID MOO (Marcus Tullius Cicero)
is a founding member of the Todd Theater Troupe and has performed a wide variety of roles, both large and small, in New York, around the country, and abroad. An aspiring director and playwright, he is currently collaborating with Robert Allen on several upcoming projects.

THE PLAINTEXT PLAYERS (character and script development)
are a collective of artists and writers who worked in a test-based virtual world to develop the characters and script of The Roman Forum. Founded in 1994, The Plaintext Players have presented their provocative shows at venues in the United States and Europe, including Literaturhaus München (Munich, 1999), Documenta X (Kassel, 1997), and the Venice Biennale (Italy, 1997). Plaintext Players taking part in The Roman Forum included Marlena Corcoran (Poppaea Sabina), Joe FerrariRichard Foerstl (Marcus Tullius Cicero), Lise Patt (Germania Servius), and Richard Smoley (Petronius Arbiter), together with Antoinette LaFarge as online director. (Quintus Roscius),

Location One announces the last performance of its Spring Music Series, which will be an evening with Zeena Parkins and Janene Higgins, presenting their latest works, Arch and How I See the World, #1. With electric harp, processors, multiple projections, and cameras, they perform a live music/live video duet. Parkins continues her sonic research on her self-invented electric harp, a hybrid of an acoustic harp and an electric guitar. Higgins utilizes video mixers and cameras in a live performance setting, enabling her to “play” the video as a musician would play an instrument. The performance will be presented in the gallery and be streamed live at www.location1.org.

Arch considers the human body and its penetration into architecture and the urban landscape. The piece premiered at Roulette, New York City, in May 2000 as part of their Festival of Mixology. It since has been taped for Roulette TV, airing in early 2001, and was part of the December music series at Phill Niblock’s Experimental Intermedia. How I See the World is the first of a series of more purely improvisational works.

The duo have been collaborating for five years. Their last full-length piece, Artificial Eye, premiered in Kassel, Germany, for Documenta X. Other presentations include Music Unlimited festival in Wels, Austria and at the City of Women festival in Slovenia.

The development of Arch was partially funded by a grant from The Experimental Television Center, which is supported in part by the New York State Council on the Arts.

Zeena Parkins
multi-instrumentalist, improviser, composer, is a leading light in European and North American ‘Other Music’ circles. A frequent guest of festivals covering the broadest spectrum of musical activity, she is not only one of the pioneers of the electric harp, and extended techniques and digital processing on the acoustic and electric harps, but a composer with a unique vision of how to meld acoustic and electronic processes, in pieces such as Isabelle, Mouth=Maul=Betrayer, Pan-Acousticon and VOU-Valley of Unrest. Zeena has performed and/or recorded with (among others): John Zorn, Ikue Mori, Fred Frith, Elliott Sharp, Jim O’Rourke, Thurston Moore, Lee Renaldo, David Shea and Pauline Oliveros and has toured throughout Europe, Japan in Russia and in the States. Recent collaborations include scores for choreographers Neil Greenberg, Emmanuelle Vo-Dinh, Jennifer Lacey and video artist Janene Higgins. Zeena is a recipient of the prestigious grant for Contemporary Performance Arts, numerous commissioning funds from Mary Flagler Cary Trust, the Jerome Foundation, a Rockefeller Foundation grant, and Nysca Composer Commission. Most recently Zeena performed with Yoko Ono at the Japan Society and has also been working with Bjšrk on her newest record.

Janene Higgins
is a graphic designer and video artist living in New York City. Since 1996, her videos and digital media have been presented in numerous festivals throughout the world, including New York and Chicago’s Underground Film Festivals, The Barcelona Festival of Independent Video, Art Institute of Chicago, The Impakt Festival in Holland, New York Lesbian & Gay Film Festival, Experimenta Festival in Buenos Aires, The Hamburg Short Film Festival, and at New York’s Irving Plaza. In the realm of live video performance she has worked with such artists as Vernon Reid, Prema Murthy, Wharton Tiers, sculptor Jude Tallichet, and has an ongoing duo with Zeena Parkins. She is a frequent artist-in-residence at The Experimental Television Center in Owego, New York, and was a recent recipient of their Finishing Funds grant. Her latest video, We Hate You Little Boy, was featured in the multimedia exhibits “FACING FEAR” at the San Francisco Art Commission Gallery, and “VIVISECTION” at Location One in NYC.

For more information: http://www.echonyc.com/~myrakoob/performance/arch.html
Interview with Zeena and Janene at the “Noisy.org” website: http://www.noisy.org/mixology.html.

Click here to view the embedded video.

Location One announces its Spring Music Series, Wake the Dead. The fourth of five exciting nights of music will feature a solo performance by Marcus Rojas, and also trio work with the addition of Peter Apfelbaum and Satoshi Takeishi. Their performance will be presented in the gallery and streamed live at www.location1.org.

Marcus Rojas (Tuba)
Marcus Rojas, one of NYC’s most sought after musicians, is an avid proponent of contemporary, classical and improvised music. He is a member of Henry Threadgill’s Very Very Circus, Spanish Fly and Les Miserable Brass Band, and is a founder of the trio SingleTree. Mr Rojas has performed and recorded with such artists as Dr. John, Ray Charles, John Zorn, Steven Bernstein, Marc Ribot, The Kamakazi Crew, Lester Bowie’s Brass Fantasy, The Art Ensemble of Chicago, They Might Be Giants, The Klezmatics and Charlie Haden’s Liberation Music Orchestra. He has appeared with ensembles led by Gil Evans, George Russell, Lionel Hampton, David Byrne, P.D.Q.Bach, The Metropolitan Opera, and Robert Wilson’s production “The Knee Plays”. Feature film projects include the soundtracks Wolf and Sleepless in Seattle. Marcus co-composed the animated children’s video story of Pinnochio narrated by Danny Aiello and produced by Rabbit Ears.

Upcoming Spring Music Series artists:
May 31:
Janene Higgins & Zeena Parkins

Click here to view the embedded video.

Location One announces its Spring Music Series, Wake the Dead. The Third of five exciting performances will be a collaboration between Earl Howard and Mari Kimura. Mari Kimura and Earl Howard are both recognized composer/ performers in the field of electroacoustic music, as well as virtuosos on the violin and saxophone. They will premier both solos and duets for violin and saxophone, as well as compositions by Earl Howard for digitally processed violin and synthesizer (Kurzweill 2500). Their performance will be presented in the gallery and streamed live at www.location1.org.

Upcoming Spring Music Series artists
May 26: Marcus Rojas, Peter Apfelbaum, & Satoshi Takeishi

Click here to view the embedded video.

Location One announces its Spring Music Series, Wake the Dead. The Third of five exciting performances will be a collaboration between Earl Howard and Mari Kimura. Mari Kimura and Earl Howard are both recognized composer/ performers in the field of electroacoustic music, as well as virtuosos on the violin and saxophone. They will premier both solos and duets for violin and saxophone, as well as compositions by Earl Howard for digitally processed violin and synthesizer (Kurzweill 2500). Their performance will be presented in the gallery and streamed live at www.location1.org.

Upcoming Spring Music Series artists
May 26: Marcus Rojas, Peter Apfelbaum, & Satoshi Takeishi

Click here to view the embedded video.

Location One announces a Spring Music Series, Wake the Dead. The second of five exciting performances will be a collaboration between Leroy Jenkins and Felicia Norton. Their performance will be presented in the gallery and streamed live on our website: www.location1.org Leroy Jenkins, violinist/composer, is a “master who cuts across all categories” (San Francisco Chronicle). He received a Bessie Award for his opera, The Mother of Three Sons, which was produced by the New York City Opera and Houston Grand Opera. Jenkins, “New York’s soulfulest violin improviser” (Village Voice), is a major figure in the development of contemporary music.

Felicia Norton, dance soloist, featured in Philip Traeger’s book Dancers, is “an extraordinary dancer” (New York Times) who has performed internationally to critical acclaim. She has been described as “compellingly sensual…a lovely dancer” by the noted London critic, John Percival (Dance & Dancers). She was also deemed “the discovery of the evening” at the Third International Festival of Dance in Brussels. Leroy Jenkins and Felicia Norton have combined their talents to create an innovative fusion of contemporary dance and Jazz violin called “magical” by the New York Times. Since their collaboration on live music/dance programs began in 1988, they have presented specially created solos and commissioned duets with choreography by Molissa Fenley, Mark Dendy, Tamar Rogoff, Alison Chase, Linda Tarnay, Lynn Taylor Corbett and others at a range of venues including the Whitney Museum of Art at Phillip Morris, the Lincoln Center Out-of-Doors Festival, Performance Space 122, the 14th St. Dance Center, the Metropolitan Artists Series at the Met Life Building and Merkin Concert Hall — all in New York City.

They have also been presented by the Pyramid Art Center in Rochester, N.Y., Dance Place in Washington, D.C., Connecticut College, Seven Lakes in Atlanta, GA., the Contemporary Arts Center in New Orleans, LA., Bennington College in VT., The Music Gallery in Toronto, Ontario, The New Arts Program at the Painted Bride Art Center in Philadelphia, PA., the Duke University Institute of the Arts in Durham, N.C., as part of the National Performance Network Touring and Residency Program, and at Jazz Arts ’98 at the Carter Barron Ampitheater, Washington, D.C.

The Jenkins/Norton collaboration has been supported by funds form the New York Council on the Arts, Meet the Composer, and has received repeated commissions from the 14th St. Dance Center and Lincoln Center, N.Y.C.

Click here to view the embedded video.

Location One announces a Spring Music Series, Wake the Dead. The second of five exciting performances will be a collaboration between Leroy Jenkins and Felicia Norton. Their performance will be presented in the gallery and streamed live on our website: www.location1.org Leroy Jenkins, violinist/composer, is a “master who cuts across all categories” (San Francisco Chronicle). He received a Bessie Award for his opera, The Mother of Three Sons, which was produced by the New York City Opera and Houston Grand Opera. Jenkins, “New York’s soulfulest violin improviser” (Village Voice), is a major figure in the development of contemporary music.

Felicia Norton, dance soloist, featured in Philip Traeger’s book Dancers, is “an extraordinary dancer” (New York Times) who has performed internationally to critical acclaim. She has been described as “compellingly sensual…a lovely dancer” by the noted London critic, John Percival (Dance & Dancers). She was also deemed “the discovery of the evening” at the Third International Festival of Dance in Brussels. Leroy Jenkins and Felicia Norton have combined their talents to create an innovative fusion of contemporary dance and Jazz violin called “magical” by the New York Times. Since their collaboration on live music/dance programs began in 1988, they have presented specially created solos and commissioned duets with choreography by Molissa Fenley, Mark Dendy, Tamar Rogoff, Alison Chase, Linda Tarnay, Lynn Taylor Corbett and others at a range of venues including the Whitney Museum of Art at Phillip Morris, the Lincoln Center Out-of-Doors Festival, Performance Space 122, the 14th St. Dance Center, the Metropolitan Artists Series at the Met Life Building and Merkin Concert Hall — all in New York City.

They have also been presented by the Pyramid Art Center in Rochester, N.Y., Dance Place in Washington, D.C., Connecticut College, Seven Lakes in Atlanta, GA., the Contemporary Arts Center in New Orleans, LA., Bennington College in VT., The Music Gallery in Toronto, Ontario, The New Arts Program at the Painted Bride Art Center in Philadelphia, PA., the Duke University Institute of the Arts in Durham, N.C., as part of the National Performance Network Touring and Residency Program, and at Jazz Arts ’98 at the Carter Barron Ampitheater, Washington, D.C.

The Jenkins/Norton collaboration has been supported by funds form the New York Council on the Arts, Meet the Composer, and has received repeated commissions from the 14th St. Dance Center and Lincoln Center, N.Y.C.

Click here to view the embedded video.

Location One, 26 Greene St. (bet Canal & Grand), NYC. Reservations and Information: 212-334-3347. Performances @ 9:00 p.m. Admission: $8

Two Appearances:

Friday, Dec.15th with
SYNC

Saturday, Dec.16th with
Partners in Crime

Partners in Crime

Ned Rothenberg – Winds
Gerry Hemingway – drums
Mark Dresser – bass

Ned Rothenberg’s SYNC

Ned Rothenberg – alto saxophone, clarinet, bass clarinet, shakuhachi (Japanese bamboo flute)
Jerome Harris – steel string guitar, acoustic bass guitar
Samir Chatterjee – tabla, percussion

“Sync might be envisioned as a modified sax/bass/drum trio, where the bassist has been replaced by Jerome Harris on either acoustic guitar or acoustic bass guitar, and where the drummer’s role is taken by Samir Chatterjee on tabla and dumbek.

With Rothenberg moving among alto sax, clarinet, bass clarinet, and the Japanese shakuhachi and composing looping ribbons of melody with odd rhythmic contours, the trio has found a most palatable merger of jazz and Asian music.

The uncommon instrumentation is enhanced by a shared sense of purpose that gives Sync its winning character. Each player displays both the techniques and the sensitivity required to function as both soloist and accompanist, allowing Sync to maintain its three-way conversations after Rothenberg has finished soloing. This is not simply a matter of the leader’s ability to sustain extended melodic and rhythmic variations at lower volumes through circular breathing; it also results from the assurance that allows Harris to sustain a pronounced rhythmic underpinning in his guitar work and rare melodic fluency on bass.

Chatterjee, who can sing and then play back the most complex patterns in the manner of the great tabla masters, also senses how to highlight more compact, swing-oriented parts through shifts in accents and dynamics. The sound of Sync (is) always warm and glowing.” Bob Blumenthal, Boston Globe

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JEROME HARRIS

Jerome Harris has been widely acclaimed as one of the most versatile and penetrating jazz and new music stylists of his generation on both the guitar and the bass guitar. His formative musical experiences included singing and playing rural and urban blues, folk and gospel music, in addition to the full range of American popular music genres. His first major professional performing experience came as bassist with Sonny Rollins in 1978; more recently he has played guitar for Rollins, and has also recorded and/or performed live on six continents with Jack DeJohnette, Bobby Previte, Bill Frisell, Oliver Lake, Ray Anderson, Bob Stewart, George Russell, Julius Hemphill,Amina Claudine Myers, Ned Rothenberg, Bob Moses, and many others.

Harris’ extensive international touring has included several stints in Japan with Sonny Rollins, as well as U.S. State Department tours of India and the Middle East with Jay Hoggard and of five African nations with Oliver Lake and Jump Up.

After studying psychology and social relations at Harvard University (A.B. 1973), Harris attended New England Conservatory of Music as a scholarship student in jazz guitar, graduating with honors in 1977. Harris’ debut recording as a leader, Algorithms (Minor Music), garnered accolades from critics for his deeply personal guitar playing and original electric jazz compositions. In Passing (Muse) highlighted his melodic and driving bass guitar work.

Harris’ newest recording, titled Hidden In Plain View (New World), places his acoustic bass guitar at the heart of an all-star group, creatively interpreting pieces by the inspiring, challenging jazz master Eric Dolphy.

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SAMIR CHATTERJEE

Samir Chatterjee is one of the leading Tabla-drum players of India. Born into a musical family in Calcutta, he began his studies of North Indian classical music at age 5. His principal studies have been under the careful guidance of Pandit. Amalesh Chatterjee (since 1966) and Pandit. Shyamal Bose (since 1984). As such Samir represents the Farrukhabad Gharana (school) of Tabla-playing. Chatterjee has appeared as a soloist and an accompanist at concerts and music festivals in India and abroad.

In September, 1998 he first performed with Pandit Ravi Shankar at Carnegie Hall and has since become Shankar’s regular accompanist in the U.S. Since 1982 he has toured regularly, visiting the U.S.A., Canada, U.K., France, Germany, Switzerland, Netherlands, Austria, Denmark, Poland, Tunisia, Singapore, Hong Kong, Indonesia, Thailand, Philippines, Bangladesh, Laos etc.

He is attached to All India Radio as an “A” grade artist and has been featured in major events presented by radio and T.V.. Samir has accompanied many of India’s greatest musicians including Pdt. Bhimsen Joshi, Pdt. Jasraj, Pdt. Nikhil Banerjee, Pdt. V.G. Jog, Pdt. Hariprasad Chaurasia, Dr. L. Subhramaniam, Ustd. Salamat Ali Khan, Ustd. Nissar Hussain Khan, Pdt. Nibruttibua Sarnaik, Ustd. Gulam Mustafa Khan, Smt. Lakshmi Shankar, Pdt. G.S. Sachdev, Pdt. Raghunath Seth, Ustd. Bahadur Khan, Pdt. Manilal Nag, Ustd. Ashish Khan, Shujat Khan, Nishat Khan, Ajoy Chakraborty, Rasid Khan to name only a few.

In July, 1994 Samir moved with his family to New York City in order to develop relationships with western musicians and to teach and perform Indian Classical music. Presently he is engaged in collaborations with musicians like Pauline Oliveros, Ned Rothenberg, Glen Velez, Bobby Senabria, Jerome Harris, Ben Verdery, Steve Gorn, and others. He was featured, along with Jerry Garcia, in Sanjoy Mishraís CD “Blue Incantation”. He is musical advisor/performer for two major dance companies based in New York: The Battery Dance Co. in “Songs of Tagore” and the Kathak Ensemble in “KA-TAP”.

Samir has been teaching for the last 20 years and many of his students are already established performers. He is the founder and director of CHHANDAYAN, an organization working in Calcutta, New York, Washington D.C. and Wilmington-Delaware to promote and preserve Indian music and culture.

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GERRY HEMINGWAY

Gerry Hemingway has been composing and performing solo and ensemble music since 1974. Mr. Hemingway’s newest working band is a quartet with either Ray Anderson, Robin Eubanks-trombone or Herb Robertson-trumpet, Ellery Eskelin-tenor sax and either Mark Dresser, Drew Gress or Mike Formanek on bass. The band performed 40 concerts in the US in 1998 and it’s first recording, Johnny’s Corner Song was released on the Auricle Record label in March of 1998.

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MARK DRESSER

Mark Dresser has been composing and performing solo contrabass and ensemble music professionally since 1972 throughout North America, Europe and the Far East. His own projects include Mark Dresser’s “Force Green,” and the Mark Dresser Trio, performing his music for the French Surrealist film masterpiece of Luis Bunuel and Salvador Dali, “Un Chien Andalou” as well as the German expressionist silent film classic, “The Cabinet of Dr. Caligari”.

Additional original solo bass music was composed for the New York Shakespeare Festival Production of HENRY VI. Collaborative projects include “The Double Trio” comprised of the “Arcado String Trio” and the Trio du Clarinettes.

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Location One, 26 Greene St. (bet Canal & Grand), NYC. Reservations and Information: 212-334-3347. Performances @ 9:00 p.m. Admission: $8

Two Appearances:

Friday, Dec.15th with
SYNC

Saturday, Dec.16th with
Partners in Crime

Partners in Crime

Ned Rothenberg – Winds
Gerry Hemingway – drums
Mark Dresser – bass

Ned Rothenberg’s SYNC

Ned Rothenberg – alto saxophone, clarinet, bass clarinet, shakuhachi (Japanese bamboo flute)
Jerome Harris – steel string guitar, acoustic bass guitar
Samir Chatterjee – tabla, percussion

“Sync might be envisioned as a modified sax/bass/drum trio, where the bassist has been replaced by Jerome Harris on either acoustic guitar or acoustic bass guitar, and where the drummer’s role is taken by Samir Chatterjee on tabla and dumbek.

With Rothenberg moving among alto sax, clarinet, bass clarinet, and the Japanese shakuhachi and composing looping ribbons of melody with odd rhythmic contours, the trio has found a most palatable merger of jazz and Asian music.

The uncommon instrumentation is enhanced by a shared sense of purpose that gives Sync its winning character. Each player displays both the techniques and the sensitivity required to function as both soloist and accompanist, allowing Sync to maintain its three-way conversations after Rothenberg has finished soloing. This is not simply a matter of the leader’s ability to sustain extended melodic and rhythmic variations at lower volumes through circular breathing; it also results from the assurance that allows Harris to sustain a pronounced rhythmic underpinning in his guitar work and rare melodic fluency on bass.

Chatterjee, who can sing and then play back the most complex patterns in the manner of the great tabla masters, also senses how to highlight more compact, swing-oriented parts through shifts in accents and dynamics. The sound of Sync (is) always warm and glowing.” Bob Blumenthal, Boston Globe

back to top

JEROME HARRIS

Jerome Harris has been widely acclaimed as one of the most versatile and penetrating jazz and new music stylists of his generation on both the guitar and the bass guitar. His formative musical experiences included singing and playing rural and urban blues, folk and gospel music, in addition to the full range of American popular music genres. His first major professional performing experience came as bassist with Sonny Rollins in 1978; more recently he has played guitar for Rollins, and has also recorded and/or performed live on six continents with Jack DeJohnette, Bobby Previte, Bill Frisell, Oliver Lake, Ray Anderson, Bob Stewart, George Russell, Julius Hemphill,Amina Claudine Myers, Ned Rothenberg, Bob Moses, and many others.

Harris’ extensive international touring has included several stints in Japan with Sonny Rollins, as well as U.S. State Department tours of India and the Middle East with Jay Hoggard and of five African nations with Oliver Lake and Jump Up.

After studying psychology and social relations at Harvard University (A.B. 1973), Harris attended New England Conservatory of Music as a scholarship student in jazz guitar, graduating with honors in 1977. Harris’ debut recording as a leader, Algorithms (Minor Music), garnered accolades from critics for his deeply personal guitar playing and original electric jazz compositions. In Passing (Muse) highlighted his melodic and driving bass guitar work.

Harris’ newest recording, titled Hidden In Plain View (New World), places his acoustic bass guitar at the heart of an all-star group, creatively interpreting pieces by the inspiring, challenging jazz master Eric Dolphy.

back to top

SAMIR CHATTERJEE

Samir Chatterjee is one of the leading Tabla-drum players of India. Born into a musical family in Calcutta, he began his studies of North Indian classical music at age 5. His principal studies have been under the careful guidance of Pandit. Amalesh Chatterjee (since 1966) and Pandit. Shyamal Bose (since 1984). As such Samir represents the Farrukhabad Gharana (school) of Tabla-playing. Chatterjee has appeared as a soloist and an accompanist at concerts and music festivals in India and abroad.

In September, 1998 he first performed with Pandit Ravi Shankar at Carnegie Hall and has since become Shankar’s regular accompanist in the U.S. Since 1982 he has toured regularly, visiting the U.S.A., Canada, U.K., France, Germany, Switzerland, Netherlands, Austria, Denmark, Poland, Tunisia, Singapore, Hong Kong, Indonesia, Thailand, Philippines, Bangladesh, Laos etc.

He is attached to All India Radio as an “A” grade artist and has been featured in major events presented by radio and T.V.. Samir has accompanied many of India’s greatest musicians including Pdt. Bhimsen Joshi, Pdt. Jasraj, Pdt. Nikhil Banerjee, Pdt. V.G. Jog, Pdt. Hariprasad Chaurasia, Dr. L. Subhramaniam, Ustd. Salamat Ali Khan, Ustd. Nissar Hussain Khan, Pdt. Nibruttibua Sarnaik, Ustd. Gulam Mustafa Khan, Smt. Lakshmi Shankar, Pdt. G.S. Sachdev, Pdt. Raghunath Seth, Ustd. Bahadur Khan, Pdt. Manilal Nag, Ustd. Ashish Khan, Shujat Khan, Nishat Khan, Ajoy Chakraborty, Rasid Khan to name only a few.

In July, 1994 Samir moved with his family to New York City in order to develop relationships with western musicians and to teach and perform Indian Classical music. Presently he is engaged in collaborations with musicians like Pauline Oliveros, Ned Rothenberg, Glen Velez, Bobby Senabria, Jerome Harris, Ben Verdery, Steve Gorn, and others. He was featured, along with Jerry Garcia, in Sanjoy Mishraís CD “Blue Incantation”. He is musical advisor/performer for two major dance companies based in New York: The Battery Dance Co. in “Songs of Tagore” and the Kathak Ensemble in “KA-TAP”.

Samir has been teaching for the last 20 years and many of his students are already established performers. He is the founder and director of CHHANDAYAN, an organization working in Calcutta, New York, Washington D.C. and Wilmington-Delaware to promote and preserve Indian music and culture.

back to top

GERRY HEMINGWAY

Gerry Hemingway has been composing and performing solo and ensemble music since 1974. Mr. Hemingway’s newest working band is a quartet with either Ray Anderson, Robin Eubanks-trombone or Herb Robertson-trumpet, Ellery Eskelin-tenor sax and either Mark Dresser, Drew Gress or Mike Formanek on bass. The band performed 40 concerts in the US in 1998 and it’s first recording, Johnny’s Corner Song was released on the Auricle Record label in March of 1998.

back to top

MARK DRESSER

Mark Dresser has been composing and performing solo contrabass and ensemble music professionally since 1972 throughout North America, Europe and the Far East. His own projects include Mark Dresser’s “Force Green,” and the Mark Dresser Trio, performing his music for the French Surrealist film masterpiece of Luis Bunuel and Salvador Dali, “Un Chien Andalou” as well as the German expressionist silent film classic, “The Cabinet of Dr. Caligari”.

Additional original solo bass music was composed for the New York Shakespeare Festival Production of HENRY VI. Collaborative projects include “The Double Trio” comprised of the “Arcado String Trio” and the Trio du Clarinettes.

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May 1 – May 30, 2000

Lisa Bateman, Janene Higgins, Luther Price, Carolee Schneemann, Miroslaw Rogala

Location One is happy to announce the initiation of our film/video program with “Vivisection”, a video installation featuring work by Lisa Bateman, Janene Higgins, Luther Price, Miroslaw Rogala, and Carolee Schneemann.This work will appear in the gallery and will be streamed on our website.

“…suppressive taboos, the body of the artist in dynamic relationship with the social body”. This phrase, taken straight out of the biography of Carolee Schneemann, the brilliant multidisciplinary artist, whose collaborative video, made with Miroslaw Rogala, makes its US premiere in this show, is the key to all of these acutely perceptive short videos.

We will also begin our evening programming this month, every Monday through Thursday from 8-10 PM. The same day each week will be curated by a guest curator. Monday nights will belong to Pamela Grace, Tuesday to Mark McElhatten, Wednesday to Seamus Coutts, Thursday (TBA) Admission is $2.50.

Lisa Bateman
is a visual artist living and working in New York. Her current works are installations using painted and colored surfaces, mirrors, optics, found objects and video. She is increasingly interested in the history of particular sites, locations and institutions. She has exhibited in over thirty group exhibitions and six one-person shows in both the US and Europe. Her next projects will incorporate images of “learning” and “training” from the Global Institute of Technology and federal government programs in Manhattan. She teaches studio art and lectures in contemporary art at Pratt Institute in New York.

Janene Higgins
is a graphic designer and video artist living in New York City. Her videos and digital media have been presented in numerous festivals and galleries throughout North America, Europe and Japan. She has just completed her fourth artist residency at The Experimental Television Center in Owego, New York. Her work includes live video mixing in a performance setting, most often in an ongoing duo with electric harpist Zeena Parkins. Their latest piece, Arch, will premiere at Roulette this May.

Luther Price
Luxuriously laminated unforgiving process. Crusty enjeweled with imperfection. Oxygen tank, oxygen tank. Skies of white that turn blue the same day. Praying while fucking on a lollipop, for something to do with tomorrow. Ice cream cake. An eyeball kiss. Chickpeas and macaroni or hamburger stew. Toenails and colostomy bags full of corn and turkey gravy drag you down when your stomach is full of staples. Larger than life we scream, then whisper before we die.

Carolee Schneemann
multidisciplinary artist. Transformed the definition of art, especially discourse on the body, sexuality, and gender. The history of her work is characterized by research into archaic visual traditions, pleasure wrested from suppressive taboos, the body of the artist in dynamic relationship with the social body. Painting, photography, performance art and installation works shown at Los Angeles Museum of Contemporary Art; Whitney Museum of American Art; Museum of Modern Art, NYC; Centre Georges Pompidou, Paris; and most recently in a retrospective at the New Museum of Contemporary Art in New York entitled “Up To And Including Her Limits”. Film and video retrospectives Centre Georges Pompidou, Paris; Museum of Modern Art, NY; National Film Theatre, London; Whitney Museum, NY; San Francisco Cinematheque; Anthology Film Archives, NYC. She has taught at many institutions including New York University, California Institute of the Arts, Bard College, the School of the Art Institute of Chicago. Recipient of a 1999 Art Pace International Artist Residency, San Antonio, Texas; Pollock-Krasner Foundation Grant (1997, 1998); 1993 Guggenheim Fellowship; Gottlieb Foundation Grant; National Endowment for the Arts Fellowship. Honorary Doctor of Fine Arts, Maine College of Art, Portland, ME. Lifetime Achievement Award, College Art Association.