Sobell pioneered the use of video, computers, and interactivity in art, as well as performance on the Web. Since 1969, when she first used video to document participants' undirected interactions with her sculptures, she investigates the extent to which video enables her to manipulate the relation between time and space, and to create a vortex for human experience, in which the mediated event coincides with public experience, memory, and relationships. Groundbreaking projects include
ParkBench and
VirtuAlice, and the ongoing
Interactive Encephalographic Brainwave Drawings.
Nina's work has been shown throughout the US, Europe, and Japan. An award-winning printmaker and figurative sculptor, an avid improvisational guitarist and keyboardist, she can be seen sculpting Emily in the ParkBench Performance Archives and heard playing music there as well.
http://ninasobell.com
Nina Sobell's residency at Location One is supported by the
Andy Warhol Foundation for the Visual Arts.